Posts Tagged: experimental

[CS-29] Sick Llama – Accelerant (C22)

Sick Llama is the solo project of Detroit’s experimental / noise artist Heath Moerland, also an operator of the Michigan-based Fag Tapes label. Sick Llama does not belong to the American noise scene. He is the American noise himself. All

[CS-29] Sick Llama – Accelerant (C22)

Sick Llama is the solo project of Detroit’s experimental / noise artist Heath Moerland, also an operator of the Michigan-based Fag Tapes label. Sick Llama does not belong to the American noise scene. He is the American noise himself. All

[CS-28] Bren’t Lewiis Ensemble – Noncanonical Gospels From The Cult Of The Immortal Tapir (C50)

He thought he saw a Coach-and-Four That stood beside his bed: He looked again, and found it was A Bear Without A Head. ‘Poor thing,’ he said, ‘poor silly thing! It’s waiting to be fed!’ Utterly confusing and disturbingly cacophonic

[CS-28] Bren’t Lewiis Ensemble – Noncanonical Gospels From The Cult Of The Immortal Tapir (C50)

He thought he saw a Coach-and-Four That stood beside his bed: He looked again, and found it was A Bear Without A Head. ‘Poor thing,’ he said, ‘poor silly thing! It’s waiting to be fed!’ Utterly confusing and disturbingly cacophonic

[CS-25] Jean-Marc Foussat / Georgios Karamanolakis – Substunce Sans Scrupule (12″ vinyl)

  “Substunce Sans Scrupule” is a dream. A hazy dream born in the emptiness between the words of “Igitur ou La folie d’Elbehnon” by Stéphane Mallarmé. A dream that sought Marcel Proust’s lost time and constituted the light and the

[CS-25] Jean-Marc Foussat / Georgios Karamanolakis – Substunce Sans Scrupule (12″ vinyl)

  “Substunce Sans Scrupule” is a dream. A hazy dream born in the emptiness between the words of “Igitur ou La folie d’Elbehnon” by Stéphane Mallarmé. A dream that sought Marcel Proust’s lost time and constituted the light and the

[CS-26] Coma Berenices – Some Chains Have No Boundaries (CDR + 16-page ‘zine)

We define new words for things we already know; the line and the surface are called “chains”, and the objects integrated over the chains are called “differential forms” or simply “forms”. Thus forms are dual to chains. We shall call

[CS-26] Coma Berenices – Some Chains Have No Boundaries (CDR + 16-page ‘zine)

We define new words for things we already know; the line and the surface are called “chains”, and the objects integrated over the chains are called “differential forms” or simply “forms”. Thus forms are dual to chains. We shall call

[CS-24] Anla Courtis – Concept Bongo (C30)

“Concept Bongo”‘s completely minimal logic is not exhausted in the fact that it is an album that is only played with bongos. Because beyond this conception, the music we find in its thirty minutes is characterized by a mystagogic feeling

[CS-24] Anla Courtis – Concept Bongo (C30)

“Concept Bongo”‘s completely minimal logic is not exhausted in the fact that it is an album that is only played with bongos. Because beyond this conception, the music we find in its thirty minutes is characterized by a mystagogic feeling

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New releases / Flyer #4

New releases out now: [CS20] Ghone / Modelbau – Zagtel Jaar Mileit / Pulse/Phases (3″ CDr + 5″ CDr) [CS21] Danai Simou – Worms (photo ‘zine) [CS22] The New Blockaders – Etudes De Rien (c36) [CS23] Dead Gum – Smoke / An

/ News

New releases / Flyer #4

New releases out now: [CS20] Ghone / Modelbau – Zagtel Jaar Mileit / Pulse/Phases (3″ CDr + 5″ CDr) [CS21] Danai Simou – Worms (photo ‘zine) [CS22] The New Blockaders – Etudes De Rien (c36) [CS23] Dead Gum – Smoke / An

[CS-20] Ghone / Modelbau – Zagtel Jaar Mileit / Pulse/Phases (CDR + 3″ CDR)

With a sporadic presence on record-breaking level and sparse -and usually unannounced- performances, Ghone returns after several years with his vessel being the 15-minute “Zagtel Jaar Mileit” and his destination the explorarion of the most experimental moments of the project.

[CS-20] Ghone / Modelbau – Zagtel Jaar Mileit / Pulse/Phases (CDR + 3″ CDR)

With a sporadic presence on record-breaking level and sparse -and usually unannounced- performances, Ghone returns after several years with his vessel being the 15-minute “Zagtel Jaar Mileit” and his destination the explorarion of the most experimental moments of the project.